While riffling through rusted irons, antique quilts, photos of James Baldwin and Langston Hughes first editions, Freelon unearthed something that excited her: a stack of water-stained tissue papers, their hues having bled together to mesmerizing effect. Where some may have seen ruined craft supplies, Freelon found the insight that would come to define her practice: reimagining these humble watermarks for prismatic monoprints and soft sculptures.
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Monique McIntosh 